Perhaps some of you will be interested that this work, the ``Acalābhisamayaḥ hṛṣṭābhidhāna
'' (obviously not the original title but a Tibetan reconstruction, see Tōh. 1783), survives for the most part (ff. 2-9 out of probably not more than 10) as Göttingen Xc14/40b. Unfortunately the pictures are not very clear.
This completes the identification of works contained in Xc14/40 (40a has long been known as perhaps the oldest ms. of the Kriyāsamuccaya), since Kazuo Kano in 2004 and 2005 has established that 40c is a fragment from the *Suvarṇavarṇāvadāna. You can read about that in the following articles:
- Kazuo Kano, ``Göttingen shozō no Rāhula Sāṅkṛtyāyana satsuei bonbun shahon Xc14/1, Xc14/57 ni tsuite'' (The Photocopies of Sanskrit Manuscripts Photographed by Rāhula Sāṅkṛtyāyana preserved in Göttingen, Xc14/1 and Xc14/57). Mikkyō Bunka 212 (2004) 35-54.
- Kazuo Kano, ``Two folios from Sthiramati's Triṃśikābhāṣya in Sanskrit Photographed by Rāhula Sāṅkṛtyāyana: Diplomatic and Critical Editions of Göttingen Xc14/1e''. WZKS XLIX (2005) 113-149.
For a magnificent painting of the `last pundit in Tibet', see here
Labels: Acala, Caṇḍamahāroṣaṇa, Göttingen, manuscripts, Sanskrit, tantric studies, Thaṃ bahi, Vanaratna, yoginītantra